28 Art Exhibitions to View in N.Y.C. This Weekend

28 Art Exhibitions to View in N.Y.C. This Weekend

‘STONEWALL 50 AT THE NEW-YORK HISTORICAL SOCIETY’ (through Sept. 22). For its Stonewall summer, the society offers a bouquet of three micro-shows. One is devoted to relics of L.G.B.T.Q. night life, from the 1950s lesbian bar called the Sea Colony to gay male sex clubs like the Anvil and the Ramrod that sizzled in the 1970s. Another documents the founding in 1974 — by Joan Nestle, Deborah Edel, Sahli Cavallero, Pamela Olin and Julia Stanley — of a compendious and still-growing register of lesbian culture called the Herstory Archives. And a third turns a solo spotlight on charismatic individuals: Storme DeLarverie (1920-2014), Mother Flawless Sabrina/Jack Doroshow (1939-2017), Keith Haring (1958-90) and Rollerena Fairy Godmother. (Cotter)
212-873-3400, nyhistory.org

‘TOO FAST TO LIVE, TOO YOUNG TO DIE: PUNK GRAPHICS, 1976-1986’ at the Museum of Arts and Design (through Aug. 18). Many of the objects on display in this exhibition were first hung in record stores or in the bedrooms of teenagers. Posters promoting new albums, tours and shows are mixed in with album art, zines, buttons and other miscellany. Most of the pieces are affixed to the walls with magnets and are not framed, and almost all show signs of wear. The presentation reinforces that this was commercial art meant for wide consumption, and the ragged edges and prominent creases in the works make the history feel alive. (Richardson)
212-299-7777, madmuseum.org

‘T. REX: THE ULTIMATE PREDATOR’ at the American Museum of Natural History (through Aug. 9, 2020). Everyone’s favorite 18,000-pound prehistoric killer gets the star treatment in this eye-opening exhibition, which presents the latest scientific research on T. rex and also introduces many other tyrannosaurs, some discovered only this century in China and Mongolia. T. rex evolved mainly during the Cretaceous period to have keen eyes, spindly arms and massive conical teeth, which could bear down on prey with the force of a U-Haul truck; the dinosaur could even swallow whole bones, as affirmed here by a kid-friendly display of fossilized excrement. The show mixes 66-million-year-old teeth with the latest 3-D prints of dino bones, and also presents new models of T. rex as a baby, a juvenile and a full-grown annihilator. Turns out this most savage beast was covered with — believe it! — a soft coat of beige or white feathers. (Farago)
212-769-5100, amnh.org

‘2019 WHITNEY BIENNIAL’ at the Whitney Museum of American Art (through Sept. 22). Given the political tensions that have sent spasms through the nation over the past two years, you might have expected — hoped — that this year’s biennial would be one big, sharp Occupy-style yawp. It isn’t. Politics are present but, with a few notable exceptions, murmured, coded, stitched into the weave of fastidiously form-conscious, labor-intensive work. As a result, the exhibition, organized by two young Whitney curators, Rujeko Hockley and Jane Panetta, gives the initial impression of being a well-groomed group show rather than a statement of resistance. But once you start looking closely, the impression changes artist by artist, piece by piece — there’s quiet agitation in the air. (Cotter)
212-570-3600, whitney.org

‘VIOLET HOLDINGS: LGBTQ+ HIGHLIGHTS FROM THE N.Y.U. SPECIAL COLLECTIONS’ at Bobst Library (through Dec. 31). With the Stonewall Inn now a National Historic Landmark (and a bar again; it was a bagel shop in the 1980s), nearby New York University has produced a homegrown archival exhibition at Bobst Library, across the park from Grey Art Gallery. Organized by Hugh Ryan, it takes the local history of queer identity back to the 19th century with documents on Elizabeth Robins (1862-1952), an American actor, suffragist and friend of Virginia Woolf, and forward with ephemera related to the musician and drag king Johnny Science (1955-2007) and the African-American D.J. Larry Levan (1954-92), who, in the 1980s, presided, godlike, at a gay disco called the Paradise Garage, which was a short walk from the campus. (Cotter)
212-998-2500, library.nyu.edu

‘ART AFTER STONEWALL, 1969-1989’ at Grey Art Gallery (through July 20) and at Leslie-Lohman Museum (through July 21). For this summer’s half-century anniversary of the 1969 Stonewall riots, substantial displays of art produced in the long wake of the uprising are filling New York City museums and public spaces. The largest is this two-part exhibition, organized by Jonathan Weinberg and shared by Grey Art Gallery at N.Y.U. and Leslie-Lohman Museum. The Leslie-Lohman half, which focuses on the 1970s and has lots of archival matter, feels tight and combustible. Much of what’s in it was hot off the political burner, responsive to crisis conditions. The pace at Grey, where much of the work dates from the 1980s, is more measured, but has tensions of its own as the story encompasses AIDS and the culture wars. (Cotter)
212-998-6780, greyartgallery.nyu.edu
212-431-2609, leslielohman.org

Source link