“I realized how amazingly talented she was and how quickly she could not only learn something but also understand it, which is more difficult,” said Ms. Perrin, who met Ms. Lenaerts when she was 12. “I would say she is one of the top five players in the world, but she has kept that kindness and openness that is so rare when people get to that level.”
In 2010, while in Munich performing with the Bavarian Radio Symphony Orchestra under the conductor Mariss Janson, Ms. Lenaerts learned there would soon be an opening for a harpist with the Vienna Philharmonic. “I was very happy being a soloist, and I never wanted to enter an orchestra,” she said, recalling her hesitation before she decided to go for the tryouts.
“I was ‘number nine’ for the audition, and it was behind a curtain. I was thinking, ‘If this does not go well, I will just go back to Belgium and nobody will ever know.’” She won the audition — at just 23 — and moved to Vienna the next autumn.
“Since her engagement as a member of the Vienna Philharmonic, Anneleen has proven to be an outstanding musician with great excellence,” Daniel Froschauer, the chairman of the orchestra and its first violinist, wrote in an email. “She is a wonderful colleague.”
Ms. Lenaerts, only the eighth woman to join the orchestra (the Vienna Philharmonic was opened to female musicians in 1997), was a quick study, though she was warned that it would most likely take her about three years to feel fully comfortable with the repertoire, which includes 45 operas that often are not rehearsed before a performance.
A highlight of her time with the Philharmonic so far was her first New Year’s concert, in 2012, which Maestro Jansons conducted. “There is a big harp solo in Tchaikovsky’s ‘Panorama’ that I had played with him as an encore in Munich, and he picked that piece for the New Year’s concert so I was playing it with him again,” she said. “It was very special and overwhelming.”